Precision Limiter The Precision Limiter plug-in is a single-band, look-ahead brickwall limiter made primarily for use with program material. This intuitive plug-in achieves 100% attack within a 1.5ms look-ahead window, which prevents clipping, and guarantees zero overshoot performance. Both the attack and release curves are optimized for professional mastering, which minimizes aliasing. The Precision Limiter also features comprehensive, high-resolution metering, and conforms to Bob Katz's 'K-system' metering specs. This metering allows the user to see what is happening to audio with a great deal of accuracy. Very intuitive plug, needs sidechain! I use multiband for a variety of reasons, both live and in studio, for mix and finalization.

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Be aware, it does chew up a lot of UAD card CPU. Some use this device in mastering. I find it a bit aggressive for this use; however, it can provide good results on the 2-buss w/ practice & light settings. I prefer it for specialized channel / group tasks where nothing else works.

Powerful tool Extremely flexible. Each band (of 5) can be either soloed, or have its effect on the mix muted. This plug is very clean & usable. Nevertheless, one must still be careful. But because of the MB gates, expander, & built-in band leveling (effectively E.Q.) functionality, this device is QUITE versatile and powerful. Be aware, it does chew up a lot of UAD card CPU. Some use this device in mastering.

Saying your preferences, like 'I like software X better' is ok. Soldier of fortune payback for pc. Do I really need to explain this?

Not another Limiter!! But seriously, as a mastering engineer, I have found that no one limiter does the right job for all mixes.

Not another Limiter!! But seriously, as a mastering engineer, I have found that no one limiter does the right job for all mixes. Some add presence that is not always appropriate; some respond to the frequency range differently from others; some have high CPU load to get the benefit of their 'intelligent' algorithms; some give up after 6 - 9 dB (a definite risk for DAC overload and a possible sign of artifacts). When you need transparent brickwall limiting (and K-14 monitoring), this is the 'go-to' limiter of the pack.

Fab Dupont is a Grammy winning NYC based record producer, mixing/mastering engineer and co-founder of pureMix.net. Fab has been playing, writing, producing and mixing music both live and in studios all over the world.

Fab Dupont is a Grammy winning NYC based record producer, mixing/mastering engineer and co-founder of pureMix.net. Fab has been playing, writing, producing and mixing music both live and in studios all over the world. He's worked in cities like Paris, Boston, Brussels, Stockholm, London and New York just to name a few. He has his own studio called FLUX Studios in the East Village of New York City. Fab has been nominated for Grammys 6 times, including two Latin Grammys and has received many other accolades around the world, including Victoires de la Musique, South African Music awards, Pan African Music Awards and US independent music awards. Some very solid explanation of the function and controls of these plugins. And even goes further to explain best practices to get great sound from gear that predates my birth lol.

It all just depends on the need. All in all I like this plug, with one caveat: it needs the ability to accept sidechain on individual bands. To my knowledge the C6 is the only other multiband compressor that lets you sidechain.

Thank you UA. Not another Limiter!! But seriously, as a mastering engineer, I have found that no one limiter does the right job for all mixes. Some add presence that is not always appropriate; some respond to the frequency range differently from others; some have high CPU load to get the benefit of their 'intelligent' algorithms; some give up after 6 - 9 dB (a definite risk for DAC overload and a possible sign of artifacts). When you need transparent brickwall limiting (and K-14 monitoring), this is the 'go-to' limiter of the pack.

I find it a bit aggressive for this use; however, it can provide good results on the 2-buss w/ practice & light settings. I prefer it for specialized channel / group tasks where nothing else works.

Not another Limiter!! But seriously, as a mastering engineer, I have found that no one limiter does the right job for all mixes. Some add presence that is not always appropriate; some respond to the frequency range differently from others; some have high CPU load to get the benefit of their 'intelligent' algorithms; some give up after 6 - 9 dB (a definite risk for DAC overload and a possible sign of artifacts). When you need transparent brickwall limiting (and K-14 monitoring), this is the 'go-to' limiter of the pack. And the two attack curve choices provide a good variety for different styles and tracks. Definitely a 'top three' limiter!

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Precision Limiter The Precision Limiter plug-in is a single-band, look-ahead brickwall limiter made primarily for use with program material. This intuitive plug-in achieves 100% attack within a 1.5ms look-ahead window, which prevents clipping, and guarantees zero overshoot performance. Both the attack and release curves are optimized for professional mastering, which minimizes aliasing. The Precision Limiter also features comprehensive, high-resolution metering, and conforms to Bob Katz's 'K-system' metering specs.

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Some use this device in mastering. I find it a bit aggressive for this use; however, it can provide good results on the 2-buss w/ practice & light settings. I prefer it for specialized channel / group tasks where nothing else works. I wish it had an external side chain; otherwise, the plug-in seems perfect & adds little color, if any.

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And the two attack curve choices provide a good variety for different styles and tracks. Definitely a 'top three' limiter!

Do I really need to explain this? • No links to click bait pages.

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